Showing posts with label culture. Show all posts
Showing posts with label culture. Show all posts

Tuesday, March 19, 2013

Introducing the next generation to slide guitar

As we were perusing the camping equipment at REI, a new song came on the radio.

"Listen, Listen dad", my son said excitedly, "do you recognize the song?"

It didn't take me much to recognize the slide guitar from the Allman Brothers Band. (I learned on YouTube the song was called "Jessica".)

"Who?,  my son asked, "No dad, this is the theme song from Top Gear."

Of course! I must have heard it a hundred times by now, as we watch the UK shows over and over. Even though the gang of three lost all credibility after the infamous Tesla episode.


Sure, I may pretend to know all about the Allman Brothers now, but about 15 years ago, my answer would have been the same as my son. But that all changed one infamous Sunday night at the Paradise Lounge in San Francisco. It was a few months after I watched Rush, a movie about undercover narcotics agents played by Jason Patric and Jennifer Jason Leigh. Little did I know that Will Gaines, the drug lord in the movie, is played by Gregg Allman.


Back to the night in the Paradise Lounge. It was close to 1:30am Sunday night. Closing time. My roommate, his girlfriend and myself were one of the few remaining patrons finishing our drinks. As we were leaving the place, a group of well dressed folks walks in. The gents were in tuxedos and the ladies were all dressed up in elegant gowns. Intrigued they were let in at this time of the night, we dragged out feet leaving and hid in the back against the wall. The doors closed and everybody inside was asked to stay back, away from the windows as the SFPD was making sure all bars, clubs and lounges had emptied. There must have been perhaps 15 patrons and about 10 of the fancy folks. About 30 minutes past, when the fancy folks opened their cases and pulled out a bunch of instruments. They got on stage and started jamming. They seemed to know the owner of the place. The band sounded beyond awesome. My roommate could hardly contain his excitement. It took me a couple of minutes to recognize the front man: "That's the drug dealer!", I shouted, just as they paused between songs. A little chuckle here and there. But indeed it was the drug dealer. We were enjoying an almost private concert by no other than Gregg Allman and the Allman Brothers band.

And thus a budding guitar player got introduced to the slide guitar at REI.

Friday, October 12, 2012

The Film Club

A few years ago, I read the Film Club, a book by David Gilmour (amazon): the true story about David Gilmour's decision to let his 15-year-old son drop out of high school on the condition that the boy agrees to watch three films a week with him. In the months thereafter I caught up on a long list of great movies I had not watched yet.

In recent weeks our Netflix queue has been primarily 80's and early 90's movies to watch together with the kids. (I can assure you nobody dropped out of school.) It's interesting how much faster movies have gotten in recent years: more action per minute, more effects and explosions per movie. It drives our kids a little crazy when we watch older movies. Either the movie plot is really slow and boring to them, or the suspense is drawing them in and it's killing them. My son often runs out of the living room as the grinding suspense is eating him alive.

Ferris Bueller, Indiana Jones, Back to the Future 1,2 and 3, The Truman Show and on and on. We're also watching the MacGyver.

Tonight on the menu: Romancing the Stone.


Monday, March 24, 2008

Fubar or foobar

Last night I watched a great documentary about the war on narcotics in Miami during the 1980s: Cocaine Cowboys. It is the story behind Scarface and the Mariel boatlift. It is also the background for Miami Vice. Coincidently, the music for the documentary was composed by the same composer of the Miami Vice Theme: Jan Hammer. Ever since arriving to the US, my first name has been difficult to pronounce: Jan. More often it is also mistaken for a woman's name -I have gotten samples for female products in the mail-. In my first weeks in the US, I tried various ways, including almost changing my email alias to 'ian', as it was phonetically closer to my name. Then, Jan Hammer came to my rescue. People knew how to pronounce his name, and knew he was a male.

The documentary taught me a new phrase: fubar. Over and over it was mentioned. Being an engineer, I immediately thought of foobar, a common place holder name in programming. It didn't make any sense in the movie. During Frontline tonight, the term fubar came up again. Now I was really intrigued. I had to look it up: fubar - fucked up beyond all recognition/repair.

Saturday, March 01, 2008

A perfect match (Man zkt vrouw)

The Belgian movie, Man zkt vrouw, (the English title is A Perfect Match) (wikipedia), made its North American premiere as part of the Cinequest Film Festival in San Jose on Friday Feb 29. The film is directed by Miel van Hoogenbemt and was written by Pierre De Clercq and Jean-Claude Van Rijckeghem.



I met up with Miel and Pierre at the Paragon Bar in San Jose, prior to the movie. They had arrived the night before and were still jetlagged. Although both are experienced film makers (IMDB: Pierre De Clercq, Miel van Hoogenbemt), they appeared a little anxious about what was to come. How would America like the movie? What would the audience ask during the Q&A section at the end of the movie?

The movie is a romantic comedy and stars famous Belgian actors. It is located in Ghent, Belgium.
On the day of his forced retirement, a school principal (Jan Decleir) decides to look for a wife on the Internet. It's not love he is after, but merely companionship. He meets a lot of women but can't seem to make up his mind. Until his new housekeeper (Maria Popistasu) arrives: she is almost forty years younger than him and a total disaster at housekeeping. For the first time in what seems a lifetime, he falls totally and desperately in love.
The movie is very well done, with witty comments. The plot is simple - it doesn't try to weave a complex story -. Yet, they story leaves enough unanswered which makes you wonder what will happen past the end of the movie.

Also the cinequest visitors appeared to like the movie. Throughout the movie, you could hear the entire audience crack up. And during the Q&A section, many had compliments and questions about the movie: about the languages, the location, the music, the actors and about the plot, (I won't list the questions not to give a way the plot.) As for the music, it was created by Spinvis. From the Man zkt vrouw blog:
Het was Wim Opbrouck die ons nog tijdens de opnamen de Nederlandse componist aanraadde. “Ga bij Spinvis.in Holland,” fluisterde hij ons toe, “die gast maakt geweldige muziek. We hebben wat van zijn materiaal gebruikt voor De Bende van Wim.” Wij dus naar Utrecht waar we aan Spinvis (het alter ego van de zeer aimabele muzikant Erik de Jong) onze film toonden en hij was meteen dol enthousiast om er de muziek voor te schrijven. Bedankt voor de tip, Wim!
Prior to the movie, Pierre had worried how our group of Belgians would receive the movie. Would we still be proud of Belgian cinema? We were! We stuck around until the end and I was happy the film was a success.

Sunday, February 10, 2008

Kooza

During a busy week at work, we found time for a drink with our team and a spectacular show: Cirque du Soleil, Kooza. This is my third Cirque du Soleil show. The first was Quidam.

I used to work at Cirque du Soleil in San Jose. As part of a group of local volunteers, we would man the front tent: tickets, drinks and gifts. In return we hung around the circus and were treated with a free performance.

It is always an incredible show. Kooza tells the story of The Innocent, a melancholy loner in search of his place in the world.



The most incredible part of the show is the Wheel of Death.

KOOZA's 1,600-pound Wheel of Death rotates at heart-stopping speeds, powered only by the two artists who leap and counter-rotate in a death-defying display of fearless acrobatics and astonishing teamwork. Like the Highwire, the Wheel of Death is positioned diagonally stage left to stage right in order to break with the usual symmetry and bring the action as close as possible to the audience.

Tuesday, December 18, 2007

A picture every day

One of the best Simpson episodes aired last Sunday. I originally posted a link to the video on YouTube or DaiyMotion. Twentieth Century Fox kept going after them (Hey, Twentieth Century Fox, why do you keep taking the video...). How ironic, since the Simpsons got the idea from Noah Kalina's YouTube video: http://www.everyday.noahkalina.com/